Nobuko Okumura

Working as a contemporary jewellery designer/maker for the past twenty years, I have a number of running themes which are commercially successful in their own right.

Along with my jewellery, I have been starting to make sculpture in metal. I have been developing a new work which I started about five years ago during the Lockdown. Many of us found ourselves taking essential exercise in the parks and green spaces around us and it was on my new found circuit, that I came across a tree, which became quite important to me. In a quieter corner of the park, away from most of the walkers, stands a mature Brewer’s Weeping Spruce. For me, there was something special about the unusually draping branches, it’s silhouette or the tactile flexibility and the scent of pine. I still pass by the tree sometimes. It’s good to look at and to touch. This is the quality that I have always wanted in my work. Finding this tree was my connection to a simple pleasure. I think we all have something like this. I owe that tree a piece of my work.

David Dixon 44AD

David Dixon

David Dixon I am interested in the intersection and blending of geometric, fabricated entities with the natural or biological space

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Ewen Hyde

Ewen Hyde Constantly evolving through experimentation, my work is predominantly constructedusing only salvaged materials and found objects – usually, although

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Min Reid

Min Reid

Min Reid Min is an accomplished artist, renowned for her work as a film director, sculptor and photographer. She possesses

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